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Horst Müller
Horst Müller - Twinset
Horst Müller Real Reflection

All mirrors are multipliers. Empty mirrors are sectors of virtuality, of potentiality. They designate the realm of possibility, the space of things that will come and go – they reveal a profound globe that reflections scheme.
It is peculiar how on these smooth surfaces, the duplicate of the world appears three-dimensional – and not only in order to make clear to man at this soundless border that he is a reflection and a mere vanity. Seen in a metaphorical light, mirrors become those deceptive media through which the imaginary and the rationally composed world of objects enter into a relationship in order to present an image * to one another.
Whenever we enter a magical dimension through mirror images, the space ›in the mirror‹ becomes a zone of boundless reflections, the perception of which gives rise to further uninhibited imagination: the world in the mirror is hallucinatory.
I see them as infinite, elemental executors of an ancient pact, to multiply the world like the act of begetting. Sleepless. Bringing doom. The horror of the mirror space spreads without further motivation. If, during the process of reflection, iconic material drifts to the surface temporarily and images present themselves as a source of inspiration for diverse intuitions – if it can be foreseen that what is not yet visible is unfolding and thereby being reproduced – then it becomes clear that something is pushing to expand and extend the realm of the conceivable
.

* When we refer to images, in the first place we are talking about the immaterial forms that appear and disappear in the mirror of consciousness, and only secondly about artefacts that are visualized as pictorial objects or sequences of pictorial events on cinema screens and other visual displays. These artefacts are manifestations of the internal, indistinct and fleeting pictorial phenomena and as such they are obvious points of reference for an aesthetic that explores the process of generating images and the act of contemplating, appropriating and integrating them. A comparison of different pictorial realities raises the question of whether an unreal aspect already lessens in significance in the reflection of appearances, while the reference to the material nature of the artefacts establishes a realism that declares all images to be integral (consolidated?) elements of the concrete world: visible, tangible and manageable.

vor

Impressum
Impressum
Twinset Mirror with rubber and pipesupports 1990